Joan L. Cannon

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Senior Women Web, online magazine

MAIDEN RUN
 
 
    When the Adams family is approached on an ordinary summer day in 1935 by a pair of representatives of a mining company about investigating the family farm for deposits of natural gas or oil, none of them suspected this would be the pivotal summer of their lives.
    Filled with a cast of colorful characters surrounded by the beauty that is rural America, written with the engaging style of a natural storyteller, Maiden Run will call to your own story of roots that can't be pulled thoughtlessly from the ground, and the love between siblings.
    Three members of the same family with three vastly different views of their places at Maiden Ru, and just as varied views on life, find themselves changed over thirty years.  Each must find a way to continue without the home to which they have always been able to return.
 
 
From MAIDEN RUN: 

                                              1966 

            I’m on my way home for the first time in many years. There’s a nagging voice in the back of my mind that I try to hush telling me it’s probably for the last time. It’s this sense of an ending that makes me determined to preserve whatever I’m able to by recording it—for us and for our children, and for their children. Besides the desire not to forget how we were, there’s the suspicion that some of what I set down might provide material for stories I haven’t written yet. These might, in turn, lead to entertainment, if nothing more, for readers who won’t know any of the actors in these tales I imagine growing like accretions in a stream. Like most writers, I’m always afraid I’ll let an opportunity escape. So that’s why, as memories unfurl across my mind’s eye like the miles on the odometer, I resolve to do my best to preserve them—even those that are incomplete, even with the imagined details there’s no way I could have seen at the time.

I’ve read that the sense of smell is the most effective one for reviving the past. Soon I’ll be able to test that theory. It isn’t as if I’d never come back here over the years, but now there seems every likelihood that if Maiden Run is still here in ten years, it will be all but unrecognizable, at least to us—my brother and sister-in-law and their children, and to me and my husband and daughter. As for our sister Estelle, I have no idea what to expect when she appears among us again. Her affinity for our home place was always ambivalent, and I’ve thought, sometimes seemed to be nonexistent.

            A journey like this is fraught, at least for me, with an amorphous burden, not just of the past, but of the unknown. I think of Roberts Frost’s wonderfully sad and true poem in which he said, Home is the place where, when you have to go there,/ they have to take you in. Like a Jungian memory, that knowledge has persisted with me all my life, at least until now. And at this point, as images gather in my head, they revive with them many questions that hovered only at the edges of my consciousness at the time they were happening. The surprising and humbling gift and grace of increasing age is hindsight, with its improved perceptions. I’m thinking as I speed along that maybe recovering that summer on the site might now reveal more to me than I was ever able to understand while we were all going through it together.

 

                     ~~~~~~~~~~~~~~~~

 
 
SETTLING
 
Newly released from Cambridge Books
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     Ruth March and Alex Duchamp could hardly have less in common. Attractive without being conventionally pretty, red-haired Ruth is a product of the rock-bound coast of Maine and a reserved and practical upbringing.  Alex, an orphan from a small Quebec town, is so handsome he turns heads wherever he goes. Reared by a simple couple who adopt him, he has always felt himself out of place. Frustration and boredom make him run away from his loving parents to follow uncrystallized dreams. Alex feels he has not found a true home in which he can settle down. When he meets Ruth in New York, where each has gone to search for a better tomorrow, Alex is intrigued by her contrast with other women he has known, while she is drawn by his extraordinary looks and air of mystery. They marry, not so much in haste as with too little self-knowledge. Before long, disappointment and unrealized hopes fracture their relationship. Despite a rift that Alex assumes will be permanent, Ruth refuses to give him a divorce.

     They must overcome betrayal, violence, and tragedy before they come together again to discover whether they can settle for realistic goals. This is a story that explores steadfastness and the value of good will.

 

 

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